Den rosa hjorden - Pinkki katras - The Pink Herd

Cotswold. My Fiber Studies 3

                         Cotswold ram on the cover of Beautiful Sheep Journal

I take part in the SpinDoctor Wool Breed Challenge on Ravelry. My blog posts are tagged "SpinDoctor". The Challenge ends June 30th 2011.

The Sheep

Cotswold is a large longwool sheep with a long history. It was established in the 13th century in UK and the modern form was being developed about 1780 to 1820, and was imported to the USA about that time. The sheep has dark skin on the nose and a big forelock. It is polled (no horns). It is now considered a minority sheep on the Rare Breeds Survival Trust list, and as threatened on the American  Livestock Breeds Conservancy list. In the Cotswolds in UK it is still a predominant breed. It's a dual purpose breed for meat and wool.

The Wool

The fleece is heavy, 4-7 kg, with a staple length of 15-25 cm The micron range goes from 35-38 (in "British Sheep & Wool") and 38-48 (American Livestock Breeds Conservancy). The wool is used in carpets, furnishing, and various textile crafts. It's quite common among handspinners, called "the poor man's mohair" and "the golden fleece" among other nicknames. The lock structure is open and wavy. The wool is silky, lustrous and strong and takes dyes well. The finer grades can be used in garments.

My experience

I'm not used to spinning wool as long as this. I tried it for a few minutes in my Rare Wools class for Deborah Robson in Stirling, Scotland, in August 2010. I got a few locks with me from that class, and spun them for this fiber study. I combed them on Louet one row mini combs, and that was a pleasure! The wool felt soft, and it has great luster, but it's not the kind of wool I would not use it next to skin. Some of the locks are pure white, some yellowish. I didn't take a photo of the locks, but as I remember it they where of different lengths and micron range, so they where from different parts of the body.

OK. Louet Victoria, standard flyer and bobbin. Here we go.

Samples 1-3 ratio 1:6 (biggest whorl). Singles z-twist
1st sample. Short forward draw feels awkward.
2nd sample. Short backward draw feels better, but I'm not quite comfortable yet.
3rd sample. From the fold. This works best until now.

Samples 4-6 ratio 1:8:5 (middle whorl). Singles z-twist, 2-ply s-twist.
4th sample. This time I predrafted the top, and let the flyer pull the yarn without helping very much with drafting. I plied in S for a 2-ply yarn. This was the best yarn so far, and the easiest to spin.

5th sample. I dyed the last four combed locks with acid dyes and spun them in the same way as the 4th sample. I spun a short thread in the same way as the 4th sample and let it fold back into a 2-ply after first threading a warp on a piece of cardboard. I took a third singles and sew it together with the 2-ply into the weft. It would be interesting to weave decorative textiles for a window or wall with Cotswold yarn. The longest locks could be used as effects also.

6th sample. I spun one thread the same way as sample 4 and then plied it with a green longwool/Tencel thread I found in my stash. I aimed for at slightly structured yarn I could use in a small weft, but for now it stays in my sample collection.

More techniques to try when I get more fiber: open the locks into fluff and spin from that with different drafting techniques such as longdraw. Boucle. Artyarns.

After washing the white skeins I can see that the yellow color is still there in some of them. I used Ecover Sensitive laundry detergent which usually takes away anything, but not this time. Look out for stained fleece, then, if you are going to buy some. Or, you can dye it, as I did with the last sample.

Afterthoughts

If I would start weaving again, I would sample with different directions of twist to see what that would do to a cloth. Say z-spun for the warp and z-spun for the weft, and s-spun for the warp and s-spun for the weft, and s-spun for the warp and z-spun for the weft etc. Uneven art yarns with slubs or knots would be interesting to weave. Cotswold boucle. Cotswold has many dimensions. One is that it will halo as the long fibers start coming up from the yarn when you use it.

My appetite has grown :)

                                         Combed lock, samples 1, 2, 3, 4

                                           Samples 6 and 5

Read more:
Internet: The Cotswold Sheep Society , Rare Breeds Survival Trust , American Livestock Breeds Conservancy
Literature:
British Sheep & Wool. British Wool Marketing Board, 2010
Deborah Robson & Carol Ekarius, The Fleece and Fiber Source Book. Storey Publishing, to be released in May 2011
Nola & Jane Fournier, In Sheep's Clothing. Interweave Press, 2003
Clara Parkes, The Knitter's Book of Wool, 2009
M.L. Ryder, Sheep and Man. Duckworth, 2007
Beautiful SheepJournal. Ivy Press, 2010
Several spinning groups on Ravelry have discussed Cotswold

HALLÅ! Olebrumms tävling! - HALLOO! Olebrummin kilpailu! - HOOT! Olebrumm's Competition!

Tävla här - Osallistu tässä - Take part here: Olebrumms tävling - Olebrummin kilpailu - Olebrumm's Competition There are goodies in that stash :)

Brown Shetland. My Fiber Studies 2

Tess the border collie is keeping the sheep in order on a croft in Shetland. At least she's trying, we, the tourists, didn't give her much chance. She was more interested in playing with things she found on the ground because she had an audience :)

I take part in the SpinDoctor Wool Breed Challenge on Ravelry. My blog posts are tagged "SpinDoctor". The Challenge ends June 30th 2011.

Most Shetland sheep are white, but there are also colored sheep in grey to black and light brown to dark brown and moorit. The sheep belongs to the Northern European short tailed group, and it'd dual coated, i.e. it has a short soft undercoat and a longer outercoat. The white Shetland has recovered after being near to disappear, but the colored are threatened. It's getting more and more difficult to buy good colored fleece.

The quality of Shetland fleece is graded into five grades from finest to damaged. You can read more in an article written by Elizabeth Lovick in the magazine YarnMaker, October 2010. The sheep is dual coated, but the "improved" Shetland has less differencies between undercoat and outercoat than the more primitive individuals. Colored Shetland usually has a very distinct double coat.

Colored Shetland is an adventure! You can work in so many ways with a colored fleece. There are no two fleeces exactly the same. The color and quality variation is vast. Today I show a few basic ways to work with a colored fleece except one: I did not cut off the bleached tips as I had so little fibers. If you want a deep brown even color and the wool is long enough, you cut off the tips. Colored Shetland is used in Hap shawls, Fair Isle and Aran knits.

I had only about 35 grams of brown 1st grade Shetland wool, which I grabbed from a fleece given by Oliver Henry to people take with them at Spin Night in Stirling, Scotland, in August 2010. Now I deeply  regret I didn't take the whole fleece, but at that time I couldn't see how I would get it home to Finland. I could have mailed it, silly me! At home I gently scoured the handful I had. I didn't want to wash out all of the lanolin, because that would be needed in my worsted spinning sample.

Oliver Henry is the world's greatest authority on Shetland wool. He is the director of Shetland Woolbrokers/Jamieson and Smith in Lerwick, Shetland. He has been working with wool for 50 years. Here he shows a fleece in the wool shed, where the work with the fleeces is intense i August 2010:

I had some scoured brown Finn Wool for comparison. Shetland and Finnsheep are both North European short tailed breeds. Their wool can be very similar, as you can see in the photo below. Finnsheep to the left, Shetland to the right. I think the wool in both samples come from young animals, maybe lambs. The Shetland has been shorn in August, the Finn in the autumn.

The lock structure is triangular, which is typical to double coated fleece. The undercoat fills up close to the skin, and keeps the sheep warm in rough weather. The outer coat leads the water away, and also helps to keep the fleece open so it won't felt on the sheep. In the Finn to the left you see a more open crimp than in the Shetland to the right. The crimp in this Shetland lock is even, but in the Finn fleece there were locks with similar crimp. The staple length of my Shetland was 6-10 cm, in the lock below about 6 cm.

OK, let's leave the Finn and concentrate on Shetland:

It's difficult to describe the hand of 1st grade Shetland. I think I can feel the structure of the fiber, but that sounds ridiculous as the fiber is so fine: 12-20 microns in the undercoat, 30-40 in the outercoat, but that's an average that does not count for the fine 1st grade outercoat. Anyway, you have to feel it to understand.

First preparation: separating the double coat by combing. I combed each lock separately with a tight dog comb. This is the way to prepare Shetland 1st grade wool for spinning the super fine yarn used in Shetland lace shawls. You don't want the undercoat in the yarn for the finest shawls. I learned to comb from master spinner Margaret Peterson in Shetland in August 2010. You take a firm grip of the lock and start combing from one end, then turn it over and comb the other end. I find it easier to start with the cut end, which I comb until there is no underwool left. OT: I need a new comb, do you know where I can buy one? This is a flee i.e. fleece...;) dog comb.

In the picture below you can see a lock that is rather typical to primitive sheep breeds: the sheep has shed some of it's wool at some point, and new has started growing. The breaking point is about one third from the cut end. These short, shed fibers can be carded into a woolen yarn. To the left the combed fibers, in the middle the lock, to the right what's combed off. I store the combed fibers with all tip ends pointing in the same direction.

As I had very little of the brown Shetland, I combed only about ten locks to get a mini sample skein. I spun them from the cut end on a 16 grams Michael Williams spindle. I ordered the spindle from Mike on Elizabeth Lovick's recommendation, and I have not regretted that I bought it. It's perfect for spinning Shetland lace yarn, and as Mike has made many spindles for that purpose you can rely on getting a good one. This yarn need much twist and careful drafting, which requires a spindle that spins fast and long. The yarn has to take the stress of extreme blocking of the shawl. It's often used as a singles. I plied the tiny sample on the same spindle, but I would use a heavier spindle or a wheel for plying a bigger amount of yarn. If you have a wheel suitable for this kind of yarn feel free to use it. In Shetland they have small, sturdy wheels with big ratios. Mary Kay is one of the skillful lace knitters of the island, here she is with her wheel in Jamieson & Smith's shop in Lerwick:

The best way to spin the super thin Shetland worsted lace yarn is in the grease. The fleece has very little lanolin, and the sheep are often quite clean. They graze in the vast Shetland mores and they are frequently washed by rain. As you can see from the combing picture above, most of the vegetable matter falls out in the preparation.

 

Second preparation: carding the undercoat. I carded the undercoat and other short fibers I combed out from the longer fibers and spun them on my Russian supported spindle from IST Crafts. Some of the bleached tips came out in the combing, and I added them to this yarn. I navajo plied it into a few meters of 3-ply just to show what kind of yarn you can spin from "waste". With larger amounts of waste you can spin a nice yarn with neps and an uneven structure. The yarn is very soft, quite comparable to cashmere, so feel free to use it for babies if the mother likes to do her laundry by hand...

Third preparation: carding undercoat and outercoat together. I wanted to have one woolen Shetland yarn with both undercoat and outercoat. I opened the locks by teasing. This time I plucked out weak tips and double cuts. I used Louet's fine carders, on which I can card a rolag very suitable for long draw. I spun with English long draw on Louet Victoria, standard flyer and bobbin, ratio 1:13.

Here you can see all three yarns together. The worsted small skein feels very silky, and it has quite a good luster. There is 13 meters in the skein which weighs less than 1 gram. The woolen mini skein with about 2 meters of yarn was spun from combing waste is soft with less luster and would probably felt good. The woolen double coat skein is very soft, 166 meters, 24 grams.

Find out more about Shetland wool:
Internet: there is much knowledge about Shetland sheep, I suggest you search internet, but here is one link: Shetland sheep on Wikipedia
Literature: M.L. Ryder, Sheep and Man. Clara Parkes, The Knitter's Book of Wool. Nola and Jane Fournier, In Sheep's Clothing. Deborah Robson & Carol Ekarius, The Fleece & Fiber Source Book (to be released in May 2011). The magazines Spin Off and YarnMaker.
Spinning instruction: Watch out for Liz Lovick's CD on spinning Shetland, it's coming in the spring 2011!
Shetland textiles: Northern Lace Liz Lovick Shetland Museum Unst Heritage Centre Heirloom Knitting
Spindles shown here: Michael Williams IST Crafts

Hebridean. My Fiber Studies 1

                Louet Victoria standard flyer and bobbin, roving, book British Sheep & Wool

I take part in the SpinDoctor Wool Breeds Challenge on Ravelry. My blog posts are tagged "SpinDoctor". The Challenge ends June 30th 2011.

The first sheep breed in my fiber studies is the Hebridean. I found 100 grams of roving in New Lanark Mill in Scotland in August 2010. The same week I took a class for Deborah Robson on Rare Wools at UK KnitCamp, where she talked a bit about Hebridean as a breed that has been rare but recovered and now prospers.

Hebridean sheep have lived on the Hebridean Islands off the Scottish west coast since the 9th century. Small, hardy sheep like these are believed to have been brought by Vikings. It belongs to the North European short tailed sheep group. Both rams and ewes have two to four horns. In the 1970s the breed was almost extinct. It was rescued thanks to grazing programs for environmental reasons. These sheep manage with a minimum of care, they are healthy and feral. They are also quite decorative. The breed has also been known under the name "St Kilda" even if it's not from that archipelago.

The sheep is usually black, with a dense, weatherproof fleece. Sometimes it gets grey with age, and the tips become bleached to brown in the sun. The wool is soft to harsh, with a staple length of 5-15 cm. It can be used in various textiles, but is not suitable for garments worn next to the skin. The micron count is a +35.

I drew out a small amount of fiber from my roving and found fibers from 1-12 cm long. The wool had been very thoroughly carded in the mill, far too rough to my likeness, but I can imagine this kind of fleece is difficult to handle in a mill. It would be interesting to work with from fleece, so I'm going to search for some later. This is what I had (roving split lengthwise in thirds):

I spun a semi woolen draft, or against twist, can't really describe it, but it's what I call my "working draft", good for many fibers carded into rovings or rolags. The roving was not easy to spin due to the great differences in fiber length. Average thickness of my singles:

I spun 320 meters 2-ply yarn, and 14 meters navajo 3-ply from the 100 grams of roving. The finished yarn is surprisingly soft and has a nice structure. It would be perfect for outer wear. It's clearly a fiber to like!

I would be warm in a sweater on a day like this, when I took the photo of the finished yarn. There was a partial sun eclipse, and the sun colored the yarn slightly with a yellow tone that looked very pretty. It was -17 C (1.4 F) and little snow in the air.

Links:
The Official Hebridean Sheep Society
Wikipedia

Literature:
M. L. Ryder, Sheep and Man.Duckworth, 2007
British Sheep & Wool. British Wool Marketin Board, 2010
Deborah Robson & Carol Ekarius, The Fleece and Fiber Source Book. Storey Publishing, to be released May 2011
Class:
Deborah Robson, UK KnitCamp, Stirling 2010